Day after day my mom and sister would go swimming at the river, pick berries, all the lazy summer day stuff and I would walk down to the shop to cut, so that I could finish a version of my scene. I spent hours and hours this summer in my grandfather’s workshop editing the footage. We have a cabin in Humboldt County, which is where I assemble my rough cuts. This allowed me to natively edit them on the family iMac in Adobe Premiere. #CLIPWRAP PREMIERE PRO 720P#I then brought the footage into the iMac and transcoded into CineForm 720p files. #CLIPWRAP PREMIERE PRO PROFESSIONAL#I was able to cast professional actors and some of my schoolmates. This is my second feature and I wanted to do everything better, starting with the script to casting. They knew how important this film was to me so they agreed. I saved every penny I could earn and then begged my parents to let me use money from my college savings. Man and Flusher is a feature film that I wrote while in 8th grade. HOW DID YOU COME UP WITH THE IDEA FOR THIS FILM? Tom realizes that this adventure will not fix his friend, but their last night together does evolve into the most defining experience of their lives. On the way they encounter a washed up ‘90s boy-band star and try to win the hearts of their dream girls. Their plan is to sneak Jim out of the hospital for one last adventure before his disconnected parents move him off to Memphis. After learning that his best friend Jim (Sam Grossinger) has attempted suicide, Tom (Adam Simpson) enlists the help of the neighborhood kingpin, Granddaddy’ (Blake Borders). Man and Flusher is really a story of adventure, friendship and finding love. That’s when I decided to reach out to find out more.ĬAN YOU TALK ABOUT YOUR MOST RECENT FILM? And seeing Robb foster his son’s love for filmmaking, I realized I wanted to be able to do that with my sons. I can see the connection between fatherhood and mentorship, especially between an editor and an assistant. It makes sense that someone who has been such a good mentor has produced a son with such a passion for filmmaking. Griffin turns 15 in February and hopes to make a film a year until he turns 18. Then a few months ago I read an article about Griffin making a second film, at 14 years old, The Adventure of T.P. Last year, I heard that Robb’s son, Griffin, had made his first film at 13 years old, Calling The Shots. Throughout the years I was lucky enough to encounter more editors like Robb and took all of the advice I could. Passing on our knowledge helps the community move forward.Įven with a couple of little scenes to cut for Robb, the direction I received helped make me the kind of editor I am today. I have found mentoring to be very satisfying, but also integral to the way post functions. Taking the time to show younger assistant editors who have their eye on advancement makes you feel good - something I’ve learned firsthand.Īs I’ve become a “professional” editor I have been lucky enough to mentor assistant editors, machine room operators, production assistants and anyone else that was interested in learning post. I was very excited, and very appreciative of his feedback. This was the first time I edited a scene that ran on TV. I helped cut a few scenes, and Robb was kind enough to give me constructive feedback. Years ago I worked with an editor named Robb McPeters, who edited The Real Housewives of New York City. And a lot of the time I got that opportunity. When I was an assistant editor, my hope was that the editors would let me watch them work, or give me a chance to edit. From editing to directing, I have always loved how mentoring and teaching is a tradition that lives on in this industry.
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